Tuesday, 14 October 2008

Thomas Moran A Pastoral Landscape painting

Thomas Moran A Pastoral Landscape paintingThomas Moran View of Venice paintingJean Francois Millet The sower painting
hairy ones, that is, the Caesars (for Caesar means a head of hair), was his grand-uncle Julius, who adopted him. Julius was bald and he was renowned for his debaucheries with either sex; and his war-charger, as is a matter of public record, was a monster which had toes instead of hooves. Julius escaped alive from many hard-fought battles only to be murdered at last, in the Senate House, by Brutus. And Brutus, though fathered on another, was believed to be Julius's natural son: "Thou too, child!" said Julius, as Brutus came at him with a dagger. Of the Punic Curse I have already written. Augustus must have recognized in himself the second of the Caesars. Indeed he himself at the end of his life made a boast, looking at the temples and public buildings that he had splendidly re-edified, and thinking too of his work in strengthening and glorifying the Empire, that he had found Rome in clay and left her in marble. But as for the manner of his death, be must have found the prophecy either unintelligible or incredible: yet some scruple kept him from destroying it.

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